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For instance, "Prima Donna" is a sardonic commentary on the rock & roll world that features a prominent brass section and prominently overdubbed Beach Boys-style harmonies, while "Your Turn to Remember" is the kind of bluesy AOR ballad that groups like Journey would later specialize in.
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On the second side, Heep give themselves over to experiments that, while listenable, cause the album to lose focus. The rest of the first side continues in a similarly strong hard rock vein and its other key highlight is "Beautiful Dream," a song that marries stomping hard rock verses to a spooky, ethereal chorus that sounds like it could have been plucked from a mid-'70s Pink Floyd album. It's bracing stuff and one of the finest rockers in the Uriah Heep canon. Return to Fantasy throws down the gauntlet with the title track, which builds from a tapestry of spooky synthesizer and organ riffs to a thunderous rock tune where the guitar and organ duel over a galloping backbeat laid down by Lee Kerslake. The resulting album retains the musical experimentation that marked Sweet Freedom and Wonderworld, but has an overall harder-rocking feel that makes it more consistent than either one of those albums. After two albums that downplayed their penchant for gothic sounds and mystical lyrics, Uriah Heep brought these elements back to the fore on 1975's Return to Fantasy.